The Architecture of Humanism - A Study in the History of TasteRead Books Ltd, 31.05.2013 - 274 Seiten The Architecture of Humanism offers a brilliant analysis of the theories and ideas behind much of nineteenth- and twentieth-century architecture. It discusses the classical tradition as reflected in the architecture of Renaissance and Baroque Italy and the role given the human body in that tradition. It is recommended reading for all architecture students, and essential for those interested in the revival of classical architecture. |
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... traditional' and 'scholarly,' that is, resembling what has already been done by Greek, Roman, Mediæval or Georgian ... tradition, on caprices and prejudices, and above all on this mass of more or less specious axioms, of halftruths ...
... traditional' and 'scholarly,' that is, resembling what has already been done by Greek, Roman, Mediæval or Georgian ... tradition, on caprices and prejudices, and above all on this mass of more or less specious axioms, of halftruths ...
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... V. THE ETHICAL FALLACY THE BIOLOGICAL FALLACY THE ACADEMIC TRADITION HUMANIST VALUES CONCLUSION ANALYTIC SUMMARY EPILOGUE, 1924 THE ARCHITECTURE OF HUMANISM INTRODUCTION 'WELLBUILDING hath three conditions: Commodity,
... V. THE ETHICAL FALLACY THE BIOLOGICAL FALLACY THE ACADEMIC TRADITION HUMANIST VALUES CONCLUSION ANALYTIC SUMMARY EPILOGUE, 1924 THE ARCHITECTURE OF HUMANISM INTRODUCTION 'WELLBUILDING hath three conditions: Commodity,
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... tradition, by a general participation in a single complex of ideas. And incompatible as these several phases—the ... tradition which was never fundamentally deserted, until in the nineteenth century traditionalism itself was cast aside ...
... tradition, by a general participation in a single complex of ideas. And incompatible as these several phases—the ... tradition which was never fundamentally deserted, until in the nineteenth century traditionalism itself was cast aside ...
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Geoffrey Scott. architectural tradition is to be recognised, and some estimate of it obtained that does not wholly misconstrue its idea, this ground of analysis must be consistently maintained. The architecture of the Renaissance, we ...
Geoffrey Scott. architectural tradition is to be recognised, and some estimate of it obtained that does not wholly misconstrue its idea, this ground of analysis must be consistently maintained. The architecture of the Renaissance, we ...
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... traditions of the north, seem, in two generations, to be but the hesitating precursors of Bramante's more definitive art. Bramante's formula is scarcely asserted, the poise and balance of classic proportion is scarcely struck, before ...
... traditions of the north, seem, in two generations, to be but the hesitating precursors of Bramante's more definitive art. Bramante's formula is scarcely asserted, the poise and balance of classic proportion is scarcely struck, before ...
Inhalt
NATURALISMAND THE PICTURESQUE | |
THE MECHANICAL FALLACY | |
THE ETHICAL FALLACY | |
THE BIOLOGICAL FALLACY | |
THE ACADEMIC TRADITION | |
HUMANIST VALUES | |
CONCLUSION | |
ANALYTIC SUMMARY | |
EPILOGUE 1924 | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved æsthetic purpose æsthetic value antiquity appear archæology archaic stage architectural art artistic baroque architects Bramante Bramante’s Brunelleschi builders building century CHAPTER character civilisation classic architecture coherence confusion conscious consequences construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature ourselves painting Palladio past period Peter’s physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste theory of architecture thought tradition true Vitruvian Vitruvius