The Architecture of Humanism - A Study in the History of TasteRead Books Ltd, 31.05.2013 - 274 Seiten The Architecture of Humanism offers a brilliant analysis of the theories and ideas behind much of nineteenth- and twentieth-century architecture. It discusses the classical tradition as reflected in the architecture of Renaissance and Baroque Italy and the role given the human body in that tradition. It is recommended reading for all architecture students, and essential for those interested in the revival of classical architecture. |
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... structural principle; it must be studied as an æsthetic impulsion, controlled by æsthetic laws, and only by an æsthetic criticism to be finally justified or condemned. It must, in fact, be studied as an art. Here, however, is the true ...
... structural principle; it must be studied as an æsthetic impulsion, controlled by æsthetic laws, and only by an æsthetic criticism to be finally justified or condemned. It must, in fact, be studied as an art. Here, however, is the true ...
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... structure and decoration, and from their fertile conflict new inventions are ever forthcoming to please a rapidly tiring taste. Fashions die; but the Renaissance itself, more irresistible than any force which it produced, begets its own ...
... structure and decoration, and from their fertile conflict new inventions are ever forthcoming to please a rapidly tiring taste. Fashions die; but the Renaissance itself, more irresistible than any force which it produced, begets its own ...
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... structural principle, or the use of a new material, has started architectural design upon a path which it has followed, as it were of necessity, unable to desist from its course until the full possibilities of the innovation had been ...
... structural principle, or the use of a new material, has started architectural design upon a path which it has followed, as it were of necessity, unable to desist from its course until the full possibilities of the innovation had been ...
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... structure, that it was contrary to construction, and, for that reason, vicious. Lastly, architectural design was not dictated, except to a slight degree, by the materials employed. This physical explanation of style is much favoured by ...
... structure, that it was contrary to construction, and, for that reason, vicious. Lastly, architectural design was not dictated, except to a slight degree, by the materials employed. This physical explanation of style is much favoured by ...
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... structure fell incontinently to the ground. The ideal of a monastic palace 'partly ruined' was ironically achieved. And the author of Vathek, contemplating in the torchlight his now crumpled, but once cloudcapped, pinnacles, may stand ...
... structure fell incontinently to the ground. The ideal of a monastic palace 'partly ruined' was ironically achieved. And the author of Vathek, contemplating in the torchlight his now crumpled, but once cloudcapped, pinnacles, may stand ...
Inhalt
NATURALISMAND THE PICTURESQUE | |
THE MECHANICAL FALLACY | |
THE ETHICAL FALLACY | |
THE BIOLOGICAL FALLACY | |
THE ACADEMIC TRADITION | |
HUMANIST VALUES | |
CONCLUSION | |
ANALYTIC SUMMARY | |
EPILOGUE 1924 | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic purpose æsthetic value antiquity appear archæology archaic stage architectural art artistic baroque architects Bramante Bramante’s Brunelleschi builders building century CHAPTER character civilisation classic architecture coherence confusion conscious consequences construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature ourselves painting Palladio past period Peter’s physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste theory of architecture thought tradition true Vitruvian Vitruvius