The Architecture of Humanism - A Study in the History of TasteRead Books Ltd, 31.05.2013 - 274 Seiten The Architecture of Humanism offers a brilliant analysis of the theories and ideas behind much of nineteenth- and twentieth-century architecture. It discusses the classical tradition as reflected in the architecture of Renaissance and Baroque Italy and the role given the human body in that tradition. It is recommended reading for all architecture students, and essential for those interested in the revival of classical architecture. |
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... Italian Renaissance, I am indebted, as every student must always be indebted, primarily to Burckhardt. I have profited also by Wölfflin's Renaissance und Barock. To the friendship of Mr. Bernhard Berenson I owe a stimulus and ...
... Italian Renaissance, I am indebted, as every student must always be indebted, primarily to Burckhardt. I have profited also by Wölfflin's Renaissance und Barock. To the friendship of Mr. Bernhard Berenson I owe a stimulus and ...
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... Italy, where Renaissance architecture was native, that we shall follow this tradition. The architecture of France in the seventeenth and eighteenth centuries and, in a lesser degree, that of the Georgian period in England, might furnish ...
... Italy, where Renaissance architecture was native, that we shall follow this tradition. The architecture of France in the seventeenth and eighteenth centuries and, in a lesser degree, that of the Georgian period in England, might furnish ...
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... Italian builders, and to trace their gradual discovery, may be the task of another volume. CHAPTER I RENAISSANCE ARCHITECTURE THE architecture of Europe, in the. 1 Sir Henry Wotton, Elements of Architecture. He is adapting Vitruvius, Bk ...
... Italian builders, and to trace their gradual discovery, may be the task of another volume. CHAPTER I RENAISSANCE ARCHITECTURE THE architecture of Europe, in the. 1 Sir Henry Wotton, Elements of Architecture. He is adapting Vitruvius, Bk ...
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... Italy was this most particularly true. The forms of Brunelleschi, masterful as they appeared when, by a daring reversion of style, he liberated Italian building from the alien traditions of the north, seem, in two generations, to be but ...
... Italy was this most particularly true. The forms of Brunelleschi, masterful as they appeared when, by a daring reversion of style, he liberated Italian building from the alien traditions of the north, seem, in two generations, to be but ...
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... Italian builders might appear, at first sight, to be as confused in aim as it was fertile in invention. Contrast it with the cumulative labour, the intensive concentration, by which the idea of Greek ... Italy seems but a pageant of great.
... Italian builders might appear, at first sight, to be as confused in aim as it was fertile in invention. Contrast it with the cumulative labour, the intensive concentration, by which the idea of Greek ... Italy seems but a pageant of great.
Inhalt
NATURALISMAND THE PICTURESQUE | |
THE MECHANICAL FALLACY | |
THE ETHICAL FALLACY | |
THE BIOLOGICAL FALLACY | |
THE ACADEMIC TRADITION | |
HUMANIST VALUES | |
CONCLUSION | |
ANALYTIC SUMMARY | |
EPILOGUE 1924 | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic purpose æsthetic value antiquity appear archæology archaic stage architectural art artistic baroque architects Bramante Bramante’s Brunelleschi builders building century CHAPTER character civilisation classic architecture coherence confusion conscious consequences construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature ourselves painting Palladio past period Peter’s physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste theory of architecture thought tradition true Vitruvian Vitruvius