A Popular Handbook to the Greek and Roman Antiquities in the British MuseumMacmillan, 1903 - 794 Seiten |
Im Buch
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Seite x
... objects exhibited in the Galleries . I have taken occasion to refer the reader ( generally in a footnote at the beginning of a chapter ) to the official publications wherein all the objects are enumerated and described , 1 and to ...
... objects exhibited in the Galleries . I have taken occasion to refer the reader ( generally in a footnote at the beginning of a chapter ) to the official publications wherein all the objects are enumerated and described , 1 and to ...
Seite xi
... objects in detail , giving explanations as suggested by the order of their arrangement , and using them sometimes as ... object is to suggest and stimulate interest , and from this point of view an episodical method is , I think , the ...
... objects in detail , giving explanations as suggested by the order of their arrangement , and using them sometimes as ... object is to suggest and stimulate interest , and from this point of view an episodical method is , I think , the ...
Seite xx
... objects worked up or restored in modern times . The British Museum was a free state for a long time the only one - for original works of art from Greece and the East which were left unrestored and untouched by any modern hand ...
... objects worked up or restored in modern times . The British Museum was a free state for a long time the only one - for original works of art from Greece and the East which were left unrestored and untouched by any modern hand ...
Seite 7
... objects , adding the weight in every case where it could be ascertained . As we read through this list of statues , crowns , cups , lamps , necklaces , bracelets , rings , and other ornaments , all of gold or silver , and many of them ...
... objects , adding the weight in every case where it could be ascertained . As we read through this list of statues , crowns , cups , lamps , necklaces , bracelets , rings , and other ornaments , all of gold or silver , and many of them ...
Seite 45
... objects of art now in the South Kensington Museum . The types of Apollo in Greek and Græco - Roman art are very numerous , and many of them are represented in the Museum : - Primarily Apollo was to the Greeks the sun - god , the god of ...
... objects of art now in the South Kensington Museum . The types of Apollo in Greek and Græco - Roman art are very numerous , and many of them are represented in the Museum : - Primarily Apollo was to the Greeks the sun - god , the god of ...
Andere Ausgaben - Alle anzeigen
A Popular Handbook to the Greek and Roman Antiquities in the British Museum Keine Leseprobe verfügbar - 2020 |
A Popular Handbook to the Greek and Roman Antiquities in the British Museum Edward Tyas Cook,British Museum Dept of Greek and Roman Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
Acropolis Amazon ancient antiquities Aphroditè Apollo Archæology archaic arms artist Athenian Athens attitude beautiful black-figure British Museum bronze bust cast Centaurs centre century characteristic chariot coins collection colour columns Cyprus Cyrenè decoration Demeter Dionysus drapery drawing Egyptian Elgin Elgin Marbles Ephesus Etruscan excavations expression eyes face famous figure fragments frieze goddess gods grace Græco-Roman Greece Greek art Greek Sculpture Greek vases hair hand head Hercules Hermes hero Homer horses imitation inscribed inscription interesting king kylix Lapiths later lion Lord Elgin marble Mausoleum metopes monument mosaic Murray's Mycenæan Naucratis Nereid Newton notice original ornament painted painter Parthenon Pausanias Pedestal pediment period Phidias Polyclitus portrait pottery Praxiteles probably red-figure relief representation represented Roman Rome round Ruskin sarcophagus satyr says scene Scopas seen side slabs specimens stands statue statuettes stone style symbol temple Theseus tomb vase-painters Victory wall warrior youth Zeus
Beliebte Passagen
Seite 124 - Moreover ye see and hear, that not alone at Ephesus. but almost throughout all Asia, this Paul hath persuaded and turned away much people, saying that they be no gods, which are made with hands...
Seite 608 - The sin of Judah is written with a pen of iron, and with the point of a diamond : it is graven upon the table of their heart, and upon the horns of your altars ; whilst their children remember their altars and their groves by the green trees upon the high hills.
Seite 371 - Set me as a seal upon thine heart, as a seal upon thine arm...
Seite 197 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Seite 191 - And Jacob rose up early in the morning, and took the stone that he had put for his pillow, and set it up for a pillar, and poured oil upon the top of it.
Seite 6 - But be his My special thanks, whose even-balanced soul, From first youth tested up to extreme old age, Business could not make dull, nor passion wild ; Who saw life steadily, and saw it whole ; The mellow glory of the Attic stage, Singer of sweet Colonus, and its child.
Seite 6 - THOU still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady ? What men or gods are these? What maidens loth? What mad pursuit ? ? What struggle to escape ? What pipes and timbrels ? What wild ecstasy...
Seite 143 - The hand that rounded Peter's dome, And groined the aisles of Christian Rome, Wrought in a sad sincerity: Himself from God he could not free; He builded better than he knew : The conscious stone to beauty grew.
Seite 99 - Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To Be, contents his natural desire, He asks no Angel's wing, no Seraph's fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company.
Seite 143 - These temples grew as grows the grass; Art might obey, but not surpass. The passive Master lent his hand To the vast soul that o'er him planned; And the same power that reared the shrine Bestrode the tribes that knelt within.