A Popular Handbook to the Greek and Roman Antiquities in the British MuseumMacmillan, 1903 - 794 Seiten |
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Seite vi
... Victory Sepulchral Reliefs Votive Reliefs . 14. ANCIENT MOSAICS Anglo - Roman Mosaics ( in the Roman Gallery ) Mosaics from Carthage and Utica ( on the N. W. Staircase ) Mosaics from Halicarnassus ( on the N. IV . Staircase ) 208 222 ...
... Victory Sepulchral Reliefs Votive Reliefs . 14. ANCIENT MOSAICS Anglo - Roman Mosaics ( in the Roman Gallery ) Mosaics from Carthage and Utica ( on the N. W. Staircase ) Mosaics from Halicarnassus ( on the N. IV . Staircase ) 208 222 ...
Seite vi
... Victory Sepulchral Reliefs Votive Reliefs . . 208 222 223 226 227 230 235 237 246 14. ANCIENT MOSAICS 250 Anglo - Roman Mosaics ( in the Roman Gallery ) 252 Mosaics from Carthage and Utica ( on the N. W. Staircase ) Mosaics from ...
... Victory Sepulchral Reliefs Votive Reliefs . . 208 222 223 226 227 230 235 237 246 14. ANCIENT MOSAICS 250 Anglo - Roman Mosaics ( in the Roman Gallery ) 252 Mosaics from Carthage and Utica ( on the N. W. Staircase ) Mosaics from ...
Seite 6
... victory , but only with the loss of the commander Callias and 150 men , who are here commemorated : - : -- Their souls high heaven received , their bodies gained In Potidea's plains the hallowed tomb ; Their foes unnumbered fell ; a few ...
... victory , but only with the loss of the commander Callias and 150 men , who are here commemorated : - : -- Their souls high heaven received , their bodies gained In Potidea's plains the hallowed tomb ; Their foes unnumbered fell ; a few ...
Seite 7
... Victory by the Emperors Diocletian and Maximianus , 288 A.D. Beginning of a Latin poem in hexameters , on a visit to Egypt , 134 A.D. Tablet with two lines of verse asking , Who can tell from a bare skeleton whether the person has been ...
... Victory by the Emperors Diocletian and Maximianus , 288 A.D. Beginning of a Latin poem in hexameters , on a visit to Egypt , 134 A.D. Tablet with two lines of verse asking , Who can tell from a bare skeleton whether the person has been ...
Seite 11
... Victory , holding in her right hand a palm - branch , in her left a cornucopia . The reclining figure below may represent Abundantia . On the right and left are two captives , each kneeling at the foot of a trophy ; the one on the right ...
... Victory , holding in her right hand a palm - branch , in her left a cornucopia . The reclining figure below may represent Abundantia . On the right and left are two captives , each kneeling at the foot of a trophy ; the one on the right ...
Andere Ausgaben - Alle anzeigen
A Popular Handbook to the Greek and Roman Antiquities in the British Museum Keine Leseprobe verfügbar - 2020 |
A Popular Handbook to the Greek and Roman Antiquities in the British Museum Edward Tyas Cook,British Museum Dept of Greek and Roman Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
Acropolis Amazon ancient antiquities Aphroditè Apollo Archæology archaic arms artist Athenian Athens attitude beautiful black-figure British Museum bronze bust cast Centaurs centre century characteristic chariot coins collection colour columns Cyprus Cyrenè decoration Demeter Dionysus drapery drawing Egyptian Elgin Elgin Marbles Ephesus Etruscan excavations expression eyes face famous figure fragments frieze goddess gods grace Græco-Roman Greece Greek art Greek Sculpture Greek vases hair hand head Hercules Hermes hero Homer horses imitation inscribed inscription interesting king kylix Lapiths later lion Lord Elgin marble Mausoleum metopes monument mosaic Murray's Mycenæan Naucratis Nereid Newton notice original ornament painted painter Parthenon Pausanias Pedestal pediment period Phidias Polyclitus portrait pottery Praxiteles probably red-figure relief representation represented Roman Rome round Ruskin sarcophagus satyr says scene Scopas seen side slabs specimens stands statue statuettes stone style symbol temple Theseus tomb vase-painters Victory wall warrior youth Zeus
Beliebte Passagen
Seite 124 - Moreover ye see and hear, that not alone at Ephesus. but almost throughout all Asia, this Paul hath persuaded and turned away much people, saying that they be no gods, which are made with hands...
Seite 608 - The sin of Judah is written with a pen of iron, and with the point of a diamond : it is graven upon the table of their heart, and upon the horns of your altars ; whilst their children remember their altars and their groves by the green trees upon the high hills.
Seite 371 - Set me as a seal upon thine heart, as a seal upon thine arm...
Seite 197 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Seite 191 - And Jacob rose up early in the morning, and took the stone that he had put for his pillow, and set it up for a pillar, and poured oil upon the top of it.
Seite 6 - But be his My special thanks, whose even-balanced soul, From first youth tested up to extreme old age, Business could not make dull, nor passion wild ; Who saw life steadily, and saw it whole ; The mellow glory of the Attic stage, Singer of sweet Colonus, and its child.
Seite 6 - THOU still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady ? What men or gods are these? What maidens loth? What mad pursuit ? ? What struggle to escape ? What pipes and timbrels ? What wild ecstasy...
Seite 143 - The hand that rounded Peter's dome, And groined the aisles of Christian Rome, Wrought in a sad sincerity: Himself from God he could not free; He builded better than he knew : The conscious stone to beauty grew.
Seite 99 - Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To Be, contents his natural desire, He asks no Angel's wing, no Seraph's fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company.
Seite 143 - These temples grew as grows the grass; Art might obey, but not surpass. The passive Master lent his hand To the vast soul that o'er him planned; And the same power that reared the shrine Bestrode the tribes that knelt within.