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A Popular Handbook to the Greek and Roman Antiquities in the British Museum
Keine Leseprobe verfügbar - 2020
already ancient antiquities Apollo appears archaic arms artist Athenian Athens attitude beautiful belong body British Museum bronze bust called carried cast century character characteristic chariot coins collection colour copy decoration described discovered drawing earlier early effect Etruscan example excavations expression eyes face famous figure fragments frieze give goddess grace Greek Greek art hair hand head Hercules holds horses human inscription interesting Italy kind King later lines lion look Lysippus marble monument Museum nature notice objects once original ornament painted Parthenon passed period Persian pieces portrait present probably referred relief remains remarkable representation represented Roman Rome round says scene sculpture seems seen side slabs specimens stands statue stone style suggested supposed temple tomb various vases Victory wall whole youth Zeus
Seite 128 - Moreover ye see and hear, that not alone at Ephesus. but almost throughout all Asia, this Paul hath persuaded and turned away much people, saying that they be no gods, which are made with hands...
Seite 612 - The sin of Judah is written with a pen of iron, and with the point of a diamond : it is graven upon the table of their heart, and upon the horns of your altars ; whilst their children remember their altars and their groves by the green trees upon the high hills.
Seite 375 - Set me as a seal upon thine heart, as a seal upon thine arm...
Seite 201 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Seite 195 - And Jacob rose up early in the morning, and took the stone that he had put for his pillow, and set it up for a pillar, and poured oil upon the top of it.
Seite 10 - But be his My special thanks, whose even-balanced soul, From first youth tested up to extreme old age, Business could not make dull, nor passion wild ; Who saw life steadily, and saw it whole ; The mellow glory of the Attic stage, Singer of sweet Colonus, and its child.
Seite 10 - THOU still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady ? What men or gods are these? What maidens loth? What mad pursuit ? ? What struggle to escape ? What pipes and timbrels ? What wild ecstasy...
Seite 147 - The hand that rounded Peter's dome, And groined the aisles of Christian Rome, Wrought in a sad sincerity: Himself from God he could not free; He builded better than he knew : The conscious stone to beauty grew.
Seite 103 - Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To Be, contents his natural desire, He asks no Angel's wing, no Seraph's fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company.