A Handbook on Story WritingDodd, Mead, 1917 - 356 Seiten |
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Häufige Begriffe und Wortgruppen
Abby Ambitious Guest anecdote angle of narration appeal atmosphere barn beginning Bret Harte Cask of Amontillado character characteristics Claribel climax of action clues coincidence colour complication dead death definite dénouement detective story dialogue dramatic climax effect elements emotional emphasises example Exercises for Chapter fact Fannie Hurst Faxon feeling fiction Gerould ghost governess Harper's Henry James Henry's illustrations incident Jonathan Kipling Kipling's Lady Leonard Merrick line of interest logical Maletroit's Door Marjorie Daw ment method mind Miss Monkey's Paw mystery narrative natural novel objective omniscience person plot point of view present Rappaccini's Daughter reader represented Revolt of Mother Saturday Evening Post says scene setting Sherlock Holmes short short-story Sire de Maletroit's situation speech Stevenson story writing struggle student suggestion tell Tell-tale Heart thing tion tive told tragedy tragic trait turn volume title W. W. Jacobs woman writer young
Beliebte Passagen
Seite 253 - During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.
Seite 12 - Fiction — if it at all aspires to be art — appeals to temperament. And in truth it must be, like painting, like music, like all art, the appeal of one temperament to all the other innumerable temperaments whose subtle and resistless power endows passing events with their true meaning, and creates the moral, the emotional atmosphere of the place and time.
Seite 264 - I rented out my third floor, back, this evening," said Mrs. Purdy, across a fine circle of foam. "A young man took it. He went up to bed two hours ago." "Now, did ye, Mrs. Purdy, ma'am?
Seite 145 - ... At least he would be dealing with something tangible; at least he would be no longer in the dark. He stepped slowly forward with outstretched hands, until his foot struck the bottom step; then he rapidly scaled the stairs, stood for a moment to compose his expression, lifted the arras and went in. He found himself in a large apartment of polished stone. There were three doors ; one on each of three sides ; all similarly curtained with tapestry. The fourth side was occupied by two large windows...
Seite 109 - Your cases have indeed been of the greatest interest to me," I observed. "You will remember that I remarked the other day, just before we went into the very simple problem presented by Miss Mary Sutherland, that for strange effects and extraordinary combinations we must go to life itself, which is always far more daring than any effort of the imagination.
Seite 106 - he answered, with his thick red finger planted half-way down the column. " Here it is. This is what began it all. You just read it for yourself, sir.
Seite 245 - I have eaten your bread and salt, I have drunk your water and wine; The deaths ye died I have watched beside, And the lives that ye led were mine. Was there aught that I did not share In vigil or toil or ease,— One joy or woe that I did not know, Dear hearts across the seas? I have written the tale of our life For a sheltered people's mirth, In jesting guise — but ye are wise, And ye know what the jest is worth.
Seite 145 - The men stopped and looked; Sammy upreared from the top of the load, and stared at his mother. "Stop!" she cried out again. "Don't you put the hay in that barn ; put it in the old one." "Why, he said to put it in here," returned one of the haymakers, wonderingly. He was a young man, a neighbor's son, whom Adoniram hired by the year to help on the farm. "Don't you put the hay in the new barn ; there's room enough in the old one, ain't there?
Seite 147 - ... apprehension. He no longer felt convinced that he was dealing with a madman. And if the old gentleman was sane, what, in God's name, had he to look for? What absurd or tragical adventure had befallen him? What countenance was he to assume? While he was thus unpleasantly reflecting, the arras that overhung the chapel door was raised, and a tall priest in his robes came forth and, giving a long, keen stare at Denis, said something in an undertone to Sire de Maletroit. "She is in a better frame...
Seite 240 - ... carcass from out of the way before him, and approached valorously over the silver pavement of the castle to where the shield was upon the wall ; which in sooth tarried not for his full coming, but fell down at his feet upon the silver floor, with a mighty great and terrible ringing sound.