The modern reader and speaker |
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Seite 13
... Force , Modulation of Passion . Imitative Modulation , MODULATION , FORCE , TIME , Time of Poetry , PART SECOND . Page 19 20 21 23 25 25 26 27 31 34 35 36 36 37 37 38 39 , 40 41 41 44 47 48 49 49 63 63 65 66 67 68 69 69 72 74 74 75 ...
... Force , Modulation of Passion . Imitative Modulation , MODULATION , FORCE , TIME , Time of Poetry , PART SECOND . Page 19 20 21 23 25 25 26 27 31 34 35 36 36 37 37 38 39 , 40 41 41 44 47 48 49 49 63 63 65 66 67 68 69 69 72 74 74 75 ...
Seite 19
... FORCE . III . ACCENT AND PRONUNCIATION . VII . TIME , INCLUDIng Raeto- IV . INFLEXION . RICAL PUNCTUATION . DESCRIPTION OF THE PRINCIPAL ORGANS OF RESPIRATION , VOICE , AND SPEECH . 1. The LUNGS , the reservoirs of inspired air . They ...
... FORCE . III . ACCENT AND PRONUNCIATION . VII . TIME , INCLUDIng Raeto- IV . INFLEXION . RICAL PUNCTUATION . DESCRIPTION OF THE PRINCIPAL ORGANS OF RESPIRATION , VOICE , AND SPEECH . 1. The LUNGS , the reservoirs of inspired air . They ...
Seite 21
... force and prolonged time . 16. The voice should be most frequently practised on a middle key . If it is pitched too high , harshness is produced when force is attempted , and shrillness , or a tendency to break , when loudness . If the ...
... force and prolonged time . 16. The voice should be most frequently practised on a middle key . If it is pitched too high , harshness is produced when force is attempted , and shrillness , or a tendency to break , when loudness . If the ...
Seite 22
... force against and through it , at the instant of loud , variously- modulated sound . 22. As the principal object of every speaker ought to be , to be effectively and easily heard by those who listen to him , it is essential that the ...
... force against and through it , at the instant of loud , variously- modulated sound . 22. As the principal object of every speaker ought to be , to be effectively and easily heard by those who listen to him , it is essential that the ...
Seite 23
... force , and variety of tone and inflexion . Each word should be preceded by a full inspiration . The distinctive vowel of each series is marked in italics . 1 33. a as in are , bar , star , guitar , mart , alarm , parchment , 1-9 * This ...
... force , and variety of tone and inflexion . Each word should be preceded by a full inspiration . The distinctive vowel of each series is marked in italics . 1 33. a as in are , bar , star , guitar , mart , alarm , parchment , 1-9 * This ...
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Häufige Begriffe und Wortgruppen
accent action awful beauty behold beneath blood bosom brave breast breath Circumflex clouds cried dark dead death deep degree delight despair Diag Diagram diphthongal dread earth elevated Elocution emphatic eternal Excalibur expression eyes Falling Inflexion father fear feel Gelert gesture give glory glottis grace grave hand hast hath heard heart heaven honour hour human king King Arthur Lars Porsena larynx light limbs lips living look lord loud Mark Antony marked mind Modulative monophthong motion nature never night o'er oratorical words pain passions pause pharynx pleasure pride principal Quintilian Rapture Rising Inflexion round scene sense sentence silent Sir Bedivere sleep smile solemn sorrow soul sound speech spirit stood sweet sword syllable tears tempest thee thine things thou art thought tion tone triphthong utterance vocal voice waves weep wild wind youth
Beliebte Passagen
Seite 62 - If a Jew wrong a Christian, what is his humility ? revenge : If a Christian wrong a Jew, what should his sufferance be by Christian example ? why, revenge. The villainy, you teach me, I will execute; and it shall go hard, but I will better the instruction.
Seite 302 - THE Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee.
Seite 131 - All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth ; of all the mighty world Of eye, and ear, — both what they half create, And what perceive...
Seite 186 - Forlorn ! the very word is like a bell To toll me back from thee to my sole self ! Adieu ! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu ! adieu ! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades : Was it a vision, or a waking dream? Fled is that music: — do I wake or sleep?
Seite 358 - There was a sound of revelry by night, And Belgium's capital had gathered then Her Beauty and her Chivalry, and bright The lamps shone o'er fair women and brave men ; A thousand hearts beat happily ; and when Music arose with its voluptuous swell, Soft eyes looked love to eyes which spake again, And all went merry as a marriage bell...
Seite 419 - Love thyself last: cherish those hearts that hate thee; Corruption wins not more than honesty. Still in thy right hand carry gentle peace To silence envious tongues. Be just, and fear not: Let all the ends thou aim'st at be thy country's, Thy God's, and truth's; then if thou fall'st, O Cromwell, Thou fall'st a blessed martyr!
Seite 287 - There is no retreat, but in submission and slavery! Our chains are forged! Their clanking may be heard on the plains of Boston! The war is inevitable — and let it come! I repeat it, sir, let it come. It is in vain, sir, to extenuate the matter. Gentlemen may cry, Peace, Peace — but there is no peace. The war is actually begun! The next gale that sweeps from the north will bring to our ears the clash of resounding arms! Our brethren are already in the field! Why stand we here idle? What is it...
Seite 302 - By the struggling moonbeam's misty light, And the lantern dimly burning. No useless coffin enclosed his breast, Not in sheet nor in shroud we wound him ; But he lay like a warrior taking his rest, With his martial cloak around him.
Seite 130 - These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye : But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart ; And passing even into my purer mind, With tranquil restoration...
Seite 184 - Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan...