The Yale Literary Magazine, Band 64Herrick & Noyes., 1899 |
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Seite 12
... sense of loss . How different is the half - earnest wooing of Twelfth Night ! that comedy of so many moods ; which is playful , is biting , is uproarious , but all - permeated by the sighs of the languishing Orsino , who reclines among ...
... sense of loss . How different is the half - earnest wooing of Twelfth Night ! that comedy of so many moods ; which is playful , is biting , is uproarious , but all - permeated by the sighs of the languishing Orsino , who reclines among ...
Seite 15
... sense of humor he might have laughed . As it was , he deigned no argument : he had his bond ; that satisfied him ; and , if any desired a reason , why , perchance a man is offended with vermin , -may he not kill it ? There is something ...
... sense of humor he might have laughed . As it was , he deigned no argument : he had his bond ; that satisfied him ; and , if any desired a reason , why , perchance a man is offended with vermin , -may he not kill it ? There is something ...
Seite 16
... sense is this appalling creature associated with the ludicrous Gobbo ! Shakspere's spice of humor was never more genially evident than here . Gobbo is perhaps the most typical of the clowns , though the others are equally diverting in ...
... sense is this appalling creature associated with the ludicrous Gobbo ! Shakspere's spice of humor was never more genially evident than here . Gobbo is perhaps the most typical of the clowns , though the others are equally diverting in ...
Seite 19
... sense , realism . It is something which resides in the obvious human coloring of all he writes . He has nothing abstruse , however close his observation . When Shylock says , " Still have I borne it with a patient shrug , " he ...
... sense , realism . It is something which resides in the obvious human coloring of all he writes . He has nothing abstruse , however close his observation . When Shylock says , " Still have I borne it with a patient shrug , " he ...
Seite 20
... sense of symmetry ; reject- ing all that contributes nothing to a desired effect , and touching only the heart of experience ; so that even his tragedies leave us satisfied . So Thus this realist who draws from life ; this idealist who ...
... sense of symmetry ; reject- ing all that contributes nothing to a desired effect , and touching only the heart of experience ; so that even his tragedies leave us satisfied . So Thus this realist who draws from life ; this idealist who ...
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1024 CHAPEL STREET 35 NASSAU artistic athletics beautiful Binks birds Bracart BROOKS BROTHERS CHAPEL ST Chapel Street character charm comedy Conn Court crowd delight dream EDITOR'S TABLE EDITORS emotions exquisite eyes face feeling FOUNTAIN PENS friends Gascon give hand HAVEN HOUSE heart human HYPERION IMPERIAL CUBE CUT IMPORTING TAILOR J. J. THOMAS laughed light literature live looked Lyon & Healy Madame de Sévigné McGowan MEMORABILIA YALENSIA ment mind Mory's nature never night NOTABILIA Osborn Hall Owen Johnson piano Pierre play poems poet poetry POND'S EXTRACT Saint sentiment SETH H silence smile song Sophomore societies soul specialty spirit stand for quality story strange success sure Taxider thought tion to-day TONTINE TONTINE HOTEL Tristram of Lyoness true truth turned voice wonderful word writing YALE LITERARY MAGAZINE Yale University York
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Seite 264 - At the usual evening hour the chapel bell began to toll, and Thomas Newcome's hands outside the bed feebly beat time. And just as the last bell struck, a peculiar sweet smile shone over his face, and he lifted up his head a little, and quickly said, " Adsum !
Seite 437 - Into the woods my Master went, Clean forspent, forspent. Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him, The little gray leaves were kind to Him: The thorn-tree had a mind to Him When into the woods He came. Out of the woods my Master went, And He was well content. Out of the woods my Master came, Content with death and shame. When Death and Shame would woo Him last, From under the trees they drew Him last: 'Twas on a tree they slew Him —...
Seite 131 - For the Thracian ships and the foreign faces, The tongueless vigil, and all the pain.
Seite 264 - I'd say, your woes were not less keen. Your hopes more vain than those of men; Your pangs or pleasures of fifteen At forty-five played o'er again. I'd say, we suffer and we strive. Not less nor more as men than boys; With grizzled beards at forty-five, As erst at twelve in corduroys.
Seite 256 - O bruit doux de la pluie Par terre et sur les toits! Pour un cœur qui s'ennuie, O le chant de la pluie!
Seite 208 - The little skylark went up above her, all song, to the smooth southern cloud lying along the blue: from a dewy copse dark over her nodding hat the blackbird fluted, calling to her with thrice mellow note: the kingfisher flashed emerald out of green osiers: a bow-winged heron travelled aloft, seeking solitude: a boat slipped toward her, containing a dreamy youth...
Seite 256 - Quoi! nulle trahison? Ce deuil est sans raison. C'est bien la pire peine De ne savoir pourquoi. Sans amour et sans haine, Mon cœur a tant de peine.
Seite 264 - Come wealth or want, come good or ill, Let young and old accept their part, And bow before the Awful Will, And bear it with an honest heart, Who misses or who wins the prize. — Go, lose or conquer as you can ; But if you fail, or if you rise, Be each, pray God, a gentleman.
Seite 274 - What is so sweet and dear As a prosperous morn in May, The confident prime of the day, And the dauntless youth of the year, When nothing that asks for bliss, Asking aright, is denied, And half of the world a bridegroom is, And half of the world a bride...
Seite 388 - For gay and amusing letters, for enjouement and badinage, there are none that equal Comte Bussy's and Madame Sevigne's. They are so natural, that they seem to be the extempore conversations of two people of wit, rather than letters; which are commonly studied, though they ought not to be so.