The Yale Literary Magazine, Band 64Herrick & Noyes., 1899 |
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Seite 6
... expression of hunted gauntness in the younger man's face , which , mingled with a certain natural pride of bearing , appealed to Gil with peculiar emphasis ; he eyed him curiously for a moment , then turned back toward the crowd ...
... expression of hunted gauntness in the younger man's face , which , mingled with a certain natural pride of bearing , appealed to Gil with peculiar emphasis ; he eyed him curiously for a moment , then turned back toward the crowd ...
Seite 19
... expression of patience . But here it is shown in its obvious human aspect . And this aspect is fundamental with our poet . He assumes certain human passions , biases , intuitions , as the element in which we all move and have our being ...
... expression of patience . But here it is shown in its obvious human aspect . And this aspect is fundamental with our poet . He assumes certain human passions , biases , intuitions , as the element in which we all move and have our being ...
Seite 30
... expressions as " In miserable dim magnificence , " " straight from the dimness to the greenness , " " sad unflattered kings . " A striking feature of the poem is the interweaving of pagan and Christian senti- ment . It is done with such ...
... expressions as " In miserable dim magnificence , " " straight from the dimness to the greenness , " " sad unflattered kings . " A striking feature of the poem is the interweaving of pagan and Christian senti- ment . It is done with such ...
Seite 39
... expression . We find these quali- ties in Shakespeare and Bach , not in china dolls , and we must therefore prefer a definition that includes the former and excludes the latter . To say that such taste is perverted is a mere assertion ...
... expression . We find these quali- ties in Shakespeare and Bach , not in china dolls , and we must therefore prefer a definition that includes the former and excludes the latter . To say that such taste is perverted is a mere assertion ...
Seite 44
... expression , at once a wan look of esperance and an inexplicable suggested capacity for evil . In shimmering , trans- lucent garb the Graces with their sinuous arms arching up to their entwined hands , gaze , as they turn in a slow ...
... expression , at once a wan look of esperance and an inexplicable suggested capacity for evil . In shimmering , trans- lucent garb the Graces with their sinuous arms arching up to their entwined hands , gaze , as they turn in a slow ...
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1024 CHAPEL STREET 35 NASSAU artistic athletics beautiful Binks birds Bracart BROOKS BROTHERS CHAPEL ST Chapel Street character charm comedy Conn Court crowd delight dream EDITOR'S TABLE EDITORS emotions exquisite eyes face feeling FOUNTAIN PENS friends Gascon give hand HAVEN HOUSE heart human HYPERION IMPERIAL CUBE CUT IMPORTING TAILOR J. J. THOMAS laughed light literature live looked Lyon & Healy Madame de Sévigné McGowan MEMORABILIA YALENSIA ment mind Mory's nature never night NOTABILIA Osborn Hall Owen Johnson piano Pierre play poems poet poetry POND'S EXTRACT Saint sentiment SETH H silence smile song Sophomore societies soul specialty spirit stand for quality story strange success sure Taxider thought tion to-day TONTINE TONTINE HOTEL Tristram of Lyoness true truth turned voice wonderful word writing YALE LITERARY MAGAZINE Yale University York
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Seite 264 - At the usual evening hour the chapel bell began to toll, and Thomas Newcome's hands outside the bed feebly beat time. And just as the last bell struck, a peculiar sweet smile shone over his face, and he lifted up his head a little, and quickly said, " Adsum !
Seite 437 - Into the woods my Master went, Clean forspent, forspent. Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him, The little gray leaves were kind to Him: The thorn-tree had a mind to Him When into the woods He came. Out of the woods my Master went, And He was well content. Out of the woods my Master came, Content with death and shame. When Death and Shame would woo Him last, From under the trees they drew Him last: 'Twas on a tree they slew Him —...
Seite 131 - For the Thracian ships and the foreign faces, The tongueless vigil, and all the pain.
Seite 264 - I'd say, your woes were not less keen. Your hopes more vain than those of men; Your pangs or pleasures of fifteen At forty-five played o'er again. I'd say, we suffer and we strive. Not less nor more as men than boys; With grizzled beards at forty-five, As erst at twelve in corduroys.
Seite 256 - O bruit doux de la pluie Par terre et sur les toits! Pour un cœur qui s'ennuie, O le chant de la pluie!
Seite 208 - The little skylark went up above her, all song, to the smooth southern cloud lying along the blue: from a dewy copse dark over her nodding hat the blackbird fluted, calling to her with thrice mellow note: the kingfisher flashed emerald out of green osiers: a bow-winged heron travelled aloft, seeking solitude: a boat slipped toward her, containing a dreamy youth...
Seite 256 - Quoi! nulle trahison? Ce deuil est sans raison. C'est bien la pire peine De ne savoir pourquoi. Sans amour et sans haine, Mon cœur a tant de peine.
Seite 264 - Come wealth or want, come good or ill, Let young and old accept their part, And bow before the Awful Will, And bear it with an honest heart, Who misses or who wins the prize. — Go, lose or conquer as you can ; But if you fail, or if you rise, Be each, pray God, a gentleman.
Seite 274 - What is so sweet and dear As a prosperous morn in May, The confident prime of the day, And the dauntless youth of the year, When nothing that asks for bliss, Asking aright, is denied, And half of the world a bridegroom is, And half of the world a bride...
Seite 388 - For gay and amusing letters, for enjouement and badinage, there are none that equal Comte Bussy's and Madame Sevigne's. They are so natural, that they seem to be the extempore conversations of two people of wit, rather than letters; which are commonly studied, though they ought not to be so.