Shakespeare Survey: Volume 57, Macbeth and Its Afterlife: An Annual Survey of Shakespeare Studies and Production
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies, and of the year's major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. Most volumes of Survey have long been out of print. Backnumbers are gradually being reissued in paperback.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
ARTHUR F KINNEY Macbeths Knowledge II
How Many Children Had Lady Macbeth?
Afterlives and Histories
SIMON PALFREY Macbeth and Kierkegaard
From Jarry to Ionesco
Topicality and Imitation
LAUREN SHOHET The Banquet of Scotland PA
LYNNE MAGNUSSON Scoff Power in Loves Labours Lost and the Inns
FREDERICK W CLAYTON AND Mercury Boy Yet and the Harsh Words of Loves
E A J HONIGMANN Shakespeare Sir Thomas More and Asylum Seekers
The Harrowing of Hell
FRANCES TEAGUE Mr Hamlet of Broadway
MICHAEL DOBSON Shakespeare Performances in England 2003
JAMES Shaw Professional Shakespeare Productions in the British Isles
Andere Ausgaben - Alle anzeigen
action actor adaptation African appears argues audience authority become begins called Cambridge century character claim close Company continue court critical cultural death described directed Director drama Duncan early edition effect Elizabethan English English Studies essay example face father figure final give given grace Hamlet hand Henry idea imagination Italy James John killed kind King Lady Macbeth language less London look Lost Malcolm means Mercury murder nature never notes offers once opening original performance perhaps person play play's political possible present production question recent reference rhetoric Richard role Royal scene Scotland seems sense Shake Shakespeare Shakespearian social speech stage Studies success suggests theatre theatrical things Thomas thought tion traditional tragedy translation turn witches writing York