The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 88
... tural design , as we should have it when divested of its more obviously untenable assertions and stated in extenso . In the modern criticism of architecture , we are habitually asked to take this view for granted , and the untenable as ...
... tural design , as we should have it when divested of its more obviously untenable assertions and stated in extenso . In the modern criticism of architecture , we are habitually asked to take this view for granted , and the untenable as ...
Seite 92
... tural art , overlook the essentially different part which it necessarily plays in these two fields , and who imagine that a knowledge of structural fact must modify , or can modify , our æsthetic reaction to structural appearance . To ...
... tural art , overlook the essentially different part which it necessarily plays in these two fields , and who imagine that a knowledge of structural fact must modify , or can modify , our æsthetic reaction to structural appearance . To ...
Seite 123
... tural technique have tended to adopt . But among the consequences of the moral criticism of architecture , not the least disastrous has been its influence on its opponents . We have , in fact , at this moment two traditions of crit ...
... tural technique have tended to adopt . But among the consequences of the moral criticism of architecture , not the least disastrous has been its influence on its opponents . We have , in fact , at this moment two traditions of crit ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN