The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 134
... true , in a sense , but already it is not ex- actly true . It asks us to regard Brunelleschi's architecture as a less adept solution of Bramante's problem . It presents him as struggling with imperfect instruments after an ideal which ...
... true , in a sense , but already it is not ex- actly true . It asks us to regard Brunelleschi's architecture as a less adept solution of Bramante's problem . It presents him as struggling with imperfect instruments after an ideal which ...
Seite 138
... true decadence . So little is it true that the energy of a race rises and falls in ordered sequence that even in artistic activity the most divergent results were simultaneous ; and while architecture sprang forward , painting lost its ...
... true decadence . So little is it true that the energy of a race rises and falls in ordered sequence that even in artistic activity the most divergent results were simultaneous ; and while architecture sprang forward , painting lost its ...
Seite 141
... true Styles of Architecture , ' to the latter ' the Copying or Imi- tative Styles . ' 1 1 Renaissance architecture is imitative . It is more imitative than any style of building that preceded it . It went further afield for its models ...
... true Styles of Architecture , ' to the latter ' the Copying or Imi- tative Styles . ' 1 1 Renaissance architecture is imitative . It is more imitative than any style of building that preceded it . It went further afield for its models ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN