The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 31
Seite 84
... tion , truthfully expressed ' ? Is it even an accurate descrip- tion ? Are they , in the first place , ' good construction ' ? Now , from the purely constructive point of view - the point of view , that is to say , of an engineer - good ...
... tion , truthfully expressed ' ? Is it even an accurate descrip- tion ? Are they , in the first place , ' good construction ' ? Now , from the purely constructive point of view - the point of view , that is to say , of an engineer - good ...
Seite 86
... tion , some concessions in point of perfect construction must constantly be made . Architecture cannot always be ideally economical in its selection of means to ends , nor perfectly truthful in its statement . And on the other hand , it ...
... tion , some concessions in point of perfect construction must constantly be made . Architecture cannot always be ideally economical in its selection of means to ends , nor perfectly truthful in its statement . And on the other hand , it ...
Seite 193
... tion truthfully expressed How far Greek or Gothic architecture can be called ' good construction ' Or ' construction truthfully expressed ' Beauty cannot be identified with sincere construction But perhaps both are necessary ...
... tion truthfully expressed How far Greek or Gothic architecture can be called ' good construction ' Or ' construction truthfully expressed ' Beauty cannot be identified with sincere construction But perhaps both are necessary ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN