The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 40
... thought , has it been strengthened and enriched ; how far encumbered and confused ? A clear view of Renaissance architecture requires an answer to this question . Although , in every department of thought , there are principles peculiar ...
... thought , has it been strengthened and enriched ; how far encumbered and confused ? A clear view of Renaissance architecture requires an answer to this question . Although , in every department of thought , there are principles peculiar ...
Seite 134
A Study in the History of Taste Geoffrey Scott. thought itself . These are obvious metaphors , and literature , which ... thoughts are on the sequence . In relation to the sequence , the description may be just . But this precisely was ...
A Study in the History of Taste Geoffrey Scott. thought itself . These are obvious metaphors , and literature , which ... thoughts are on the sequence . In relation to the sequence , the description may be just . But this precisely was ...
Seite 153
... thought , and not of mere ignorance or vain ' originality . ' But deviations , sanctioned by thought and sat- isfying the eye , are the sign of a living art ; and the cult of ' correctness ' is only to be supported on the assumption ...
... thought , and not of mere ignorance or vain ' originality . ' But deviations , sanctioned by thought and sat- isfying the eye , are the sign of a living art ; and the cult of ' correctness ' is only to be supported on the assumption ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN