The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 19
... theory to a conclusion , dwells on the examples that support its case , and is willing , for the sake of consistency , to condemn all architecture in which the theory is not confirmed . Such general anathemas are flattering alike to the ...
... theory to a conclusion , dwells on the examples that support its case , and is willing , for the sake of consistency , to condemn all architecture in which the theory is not confirmed . Such general anathemas are flattering alike to the ...
Seite 40
... theory of architecture . It produced treatises on architecture : Fra Giocondo , Alberti , Palladio , Serlio , and many others , not only built , but wrote . But the style they built in was too alive to admit of analysis , too popular to ...
... theory of architecture . It produced treatises on architecture : Fra Giocondo , Alberti , Palladio , Serlio , and many others , not only built , but wrote . But the style they built in was too alive to admit of analysis , too popular to ...
Seite 197
... theory to two dimensional space Movement in series Application of the theory to three dimensional space Conditions affecting space - value in architecture Application of the theory to mass . - The ' Salute ' 165 165 166 167 168 170 171 ...
... theory to two dimensional space Movement in series Application of the theory to three dimensional space Conditions affecting space - value in architecture Application of the theory to mass . - The ' Salute ' 165 165 166 167 168 170 171 ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN