The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 52
... styles ' Christian ' and ' un- Christian ' ; one ' style ' is suitable to museums and banks and cemeteries ; another to colleges and churches ; and this not from any architectural requirements of the case , but from a notion of the idea ...
... styles ' Christian ' and ' un- Christian ' ; one ' style ' is suitable to museums and banks and cemeteries ; another to colleges and churches ; and this not from any architectural requirements of the case , but from a notion of the idea ...
Seite 117
... style thus sat- urated with deceit : a style of false façades , false perspec- tives , false masonry and false gold ? For all these , it must be agreed , are found in the baroque as they are found in no other style of architecture . It ...
... style thus sat- urated with deceit : a style of false façades , false perspec- tives , false masonry and false gold ? For all these , it must be agreed , are found in the baroque as they are found in no other style of architecture . It ...
Seite 141
... Styles of Architecture , ' to the latter ' the Copying or Imi- tative Styles . ' 1 1 Renaissance architecture is imitative . It is more imitative than any style of building that preceded it . It went further afield for its models and ...
... Styles of Architecture , ' to the latter ' the Copying or Imi- tative Styles . ' 1 1 Renaissance architecture is imitative . It is more imitative than any style of building that preceded it . It went further afield for its models and ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN