The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 16
... standards of science . The mechanical bondage of construction has closely cir- cumscribed its growth . Thrust and ... standard for architecture : a logical standard so far as architecture is related to science , and no further . But ...
... standards of science . The mechanical bondage of construction has closely cir- cumscribed its growth . Thrust and ... standard for architecture : a logical standard so far as architecture is related to science , and no further . But ...
Seite 18
... standards of constructive skill , another by standards of rhythm and proportion , and a third by stand- ards of practical use or by the moral impulse of its builders . This medley of elements , diverse and uncommensurated as they are ...
... standards of constructive skill , another by standards of rhythm and proportion , and a third by stand- ards of practical use or by the moral impulse of its builders . This medley of elements , diverse and uncommensurated as they are ...
Seite 64
... standards , their appropriate con- ventions ; standards and conventions founded in experi- ence , and necessary to render them effective in any under- taking , howsoever inspired . When for any reason tradition , which is the vehicle of ...
... standards , their appropriate con- ventions ; standards and conventions founded in experi- ence , and necessary to render them effective in any under- taking , howsoever inspired . When for any reason tradition , which is the vehicle of ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN