The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 36
... sometimes suggested , to the later and sup- posedly decadent phases of the art . Material , then , was ut- terly subservient to style . Enough has now perhaps been said to suggest that Ren- aissance architecture in Italy pursued its ...
... sometimes suggested , to the later and sup- posedly decadent phases of the art . Material , then , was ut- terly subservient to style . Enough has now perhaps been said to suggest that Ren- aissance architecture in Italy pursued its ...
Seite 133
... sometimes it is violent , is at other moments apathetic ; and the approach of dissolution , if it is heralded by delirium , is foreshadowed also in coma . Thus the third period of the Renaissance is marked sometimes by an op- posite ...
... sometimes it is violent , is at other moments apathetic ; and the approach of dissolution , if it is heralded by delirium , is foreshadowed also in coma . Thus the third period of the Renaissance is marked sometimes by an op- posite ...
Seite 149
... Sometimes it implies a re- fusal to rethink the problem at issue . Sometimes , by a kind of avarice of style , it attempts to make the imagination of the past do service for imagination in the present . But this was not the case in ...
... Sometimes it implies a re- fusal to rethink the problem at issue . Sometimes , by a kind of avarice of style , it attempts to make the imagination of the past do service for imagination in the present . But this was not the case in ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN