The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 15
Seite 55
... significance we attach to it , the fancies it calls up , and which , in consequence , it is sometimes said to express . This is the indirect , or associative , element . These two elements are present in nearly every æsthetic experience ...
... significance we attach to it , the fancies it calls up , and which , in consequence , it is sometimes said to express . This is the indirect , or associative , element . These two elements are present in nearly every æsthetic experience ...
Seite 56
... significance . They are employed to convey refinements of meaning , or to awaken trains of association , of which mere unassisted syntax is incapable . They enrich or sharpen our idea . The sounds delight us because , in them , the ...
... significance . They are employed to convey refinements of meaning , or to awaken trains of association , of which mere unassisted syntax is incapable . They enrich or sharpen our idea . The sounds delight us because , in them , the ...
Seite 57
... significance of literary art should be overlooked . There has never been - save perhaps to a slight degree in the eighteenth century - an ' architectural fallacy ' in litera- ture , though it has often been the case that the minor ...
... significance of literary art should be overlooked . There has never been - save perhaps to a slight degree in the eighteenth century - an ' architectural fallacy ' in litera- ture , though it has often been the case that the minor ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN