The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 129
... sequence to the sequence itself . In such a view there is no place for praise or blame . The most odious characteristics of an art become conven- ient evidences of heredity and environment , by means of which every object can be duly ...
... sequence to the sequence itself . In such a view there is no place for praise or blame . The most odious characteristics of an art become conven- ient evidences of heredity and environment , by means of which every object can be duly ...
Seite 134
... sequence . In relation to the sequence , the description may be just . But this precisely was the fallacy of evolution . The values of art do not lie in the sequence but in the individual terms . To Brunelleschi there was no Bramante ...
... sequence . In relation to the sequence , the description may be just . But this precisely was the fallacy of evolution . The values of art do not lie in the sequence but in the individual terms . To Brunelleschi there was no Bramante ...
Seite 135
... sequence as a whole . If we insist on regarding the sequence , we are forced to compare Brunelleschi with Bramante , and this can only be done in so far as their styles are commensura- ble - in so far as they have purposes in common ...
... sequence as a whole . If we insist on regarding the sequence , we are forced to compare Brunelleschi with Bramante , and this can only be done in so far as their styles are commensura- ble - in so far as they have purposes in common ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN