The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 28
... seems evident that medieval art could exercise but a temporary dominion among peoples who , however little of the ... seem more fruitful . The growth of the new style is undoubtedly associated , at Florence , Milan , Naples and other ...
... seems evident that medieval art could exercise but a temporary dominion among peoples who , however little of the ... seem more fruitful . The growth of the new style is undoubtedly associated , at Florence , Milan , Naples and other ...
Seite 88
... seem peculiarly convincing . Such a view , even in the modified form in which we have stated it , sets up an ideal ... seems , inevitably , from any sympathy with the latter style . Before accepting this unfortunate conclusion , let us ...
... seem peculiarly convincing . Such a view , even in the modified form in which we have stated it , sets up an ideal ... seems , inevitably , from any sympathy with the latter style . Before accepting this unfortunate conclusion , let us ...
Seite 94
... seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies , in fact , in the intelligibility of structure , his position - and it seems to be the last - is simply met . For if it is to ...
... seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies , in fact , in the intelligibility of structure , his position - and it seems to be the last - is simply met . For if it is to ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN