The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 69
... sculpture . It followed , therefore , that this element , which admitted of represen- tation and could be pressed ... sculpture and the colour of the building . ' ' Proportion of masses is mere dog- gerel . ' And not only was sculpture ...
... sculpture . It followed , therefore , that this element , which admitted of represen- tation and could be pressed ... sculpture and the colour of the building . ' ' Proportion of masses is mere dog- gerel . ' And not only was sculpture ...
Seite 70
... sculpture takes the place of architecture and deteriorates into realism . All this was necessarily fatal to the Renaissance style . Here there was little sculpture , and that little for the most part was conventional . Artificial in ...
... sculpture takes the place of architecture and deteriorates into realism . All this was necessarily fatal to the Renaissance style . Here there was little sculpture , and that little for the most part was conventional . Artificial in ...
Seite 111
... sculpture as opposed to architecture , the causes of which have already been traced to Romanti- cism and the cult of Nature . But just as sculpture is not the æsthetic end of architecture , so , too , sculpture is but a small part of ...
... sculpture as opposed to architecture , the causes of which have already been traced to Romanti- cism and the cult of Nature . But just as sculpture is not the æsthetic end of architecture , so , too , sculpture is but a small part of ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN