The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 66
... with a profound power to satisfy the mystic's adoration . The argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , 66.
... with a profound power to satisfy the mystic's adoration . The argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , 66.
Seite 72
... satisfy it when it is given . Other works arrest us , and by a sharp attack upon the senses or the curiosity , insist on our surrender . Their function is to stimulate and excite . But since , as is well known , we cannot long react to ...
... satisfy it when it is given . Other works arrest us , and by a sharp attack upon the senses or the curiosity , insist on our surrender . Their function is to stimulate and excite . But since , as is well known , we cannot long react to ...
Seite 119
... satisfy the eye . The mind was deluded , if at all , then merrily , and for a moment . An impartial spectator who found so much contrived- and so ingenuously - for his delight would , on taking thought , no more complain of all these ...
... satisfy the eye . The mind was deluded , if at all , then merrily , and for a moment . An impartial spectator who found so much contrived- and so ingenuously - for his delight would , on taking thought , no more complain of all these ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN