The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 17
... purely æsthetic result , for it has to deal with a concrete basis which is ultilitarian . It is , none the less , a purely æsthetic impulse , an impulse distinct from all the others which architecture may simul- taneously satisfy , an ...
... purely æsthetic result , for it has to deal with a concrete basis which is ultilitarian . It is , none the less , a purely æsthetic impulse , an impulse distinct from all the others which architecture may simul- taneously satisfy , an ...
Seite 51
... purely literary , its charm is in the literary value of the idea itself , or in the act and process of association . Moreover , since literary exercises invite effects of contrast , the architecture of the Renaissance comes to be ...
... purely literary , its charm is in the literary value of the idea itself , or in the act and process of association . Moreover , since literary exercises invite effects of contrast , the architecture of the Renaissance comes to be ...
Seite 154
... purely mechanical terms , and to purely historical terms ; we have seen it associated with poetical ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural beauty ...
... purely mechanical terms , and to purely historical terms ; we have seen it associated with poetical ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural beauty ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN