The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 34
... principle which was not already displayed in the dome of Pisa or the Baptistery of Florence . On the contrary , al- though the construction of the Renaissance was often vast in extent and courageous in conception , it was at the same ...
... principle which was not already displayed in the dome of Pisa or the Baptistery of Florence . On the contrary , al- though the construction of the Renaissance was often vast in extent and courageous in conception , it was at the same ...
Seite 72
... principle , like all the principles of Renaissance architecture , rested on a psychological fact . The different effects which art is able to produce , however various and incommensurable they may radically be , are commensu- rable at ...
... principle , like all the principles of Renaissance architecture , rested on a psychological fact . The different effects which art is able to produce , however various and incommensurable they may radically be , are commensu- rable at ...
Seite 106
... principle was maintained : that the arts must be justified by the way they make men feel ; and that , apart from this , no canon of forms , academic , archæological or scientific , could claim any authority whatsoever over taste . This ...
... principle was maintained : that the arts must be justified by the way they make men feel ; and that , apart from this , no canon of forms , academic , archæological or scientific , could claim any authority whatsoever over taste . This ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN