The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 25
Seite 103
... prejudice , æs- thetic dogmas are not likely to be lacking to prove that all the vices which were supposed to have accompanied the return of the Roman style in Europe must be inherent also in the Roman architecture itself . These dogmas ...
... prejudice , æs- thetic dogmas are not likely to be lacking to prove that all the vices which were supposed to have accompanied the return of the Roman style in Europe must be inherent also in the Roman architecture itself . These dogmas ...
Seite 106
... prejudices an amaz- ing body of inspired support . But it is easy to see that an equal expenditure of ingenuity might have produced as many oracles in defence of Palladio as it showed grounds for his perdition ... prejudice , and more 106.
... prejudices an amaz- ing body of inspired support . But it is easy to see that an equal expenditure of ingenuity might have produced as many oracles in defence of Palladio as it showed grounds for his perdition ... prejudice , and more 106.
Seite 190
... prejudice against ' mere taste ' more aware than we are of contemporary influences which prejudice 40 25 15.
... prejudice against ' mere taste ' more aware than we are of contemporary influences which prejudice 40 25 15.
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN