The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 18
... practical use or by the moral impulse of its builders . This medley of elements , diverse and uncommensurated as they are , can furnish no general estimate or true com- parison of style . Doubtless , as a matter of history ...
... practical use or by the moral impulse of its builders . This medley of elements , diverse and uncommensurated as they are , can furnish no general estimate or true com- parison of style . Doubtless , as a matter of history ...
Seite 90
... practical requirements of a Gothic cathedral . But the moment mediæval building , of which the scientific criticism thinks so highly , attempted to enlarge its scope , it was compelled to sacrifice general design to practical con ...
... practical requirements of a Gothic cathedral . But the moment mediæval building , of which the scientific criticism thinks so highly , attempted to enlarge its scope , it was compelled to sacrifice general design to practical con ...
Seite 147
... practical and speculative , by which in the sixteenth and seventeenth century the mind of Europe was devoured . In and out of a vast store of useful , practical advice upon construction and engineering are woven a complacent moral ...
... practical and speculative , by which in the sixteenth and seventeenth century the mind of Europe was devoured . In and out of a vast store of useful , practical advice upon construction and engineering are woven a complacent moral ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN