The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 41
... poetic sensibility , came , in the course of its development , to modify the dogmas and control the practice of politics and of architecture . By the stress which it laid on qualities that belong appropriately to literature , and find ...
... poetic sensibility , came , in the course of its development , to modify the dogmas and control the practice of politics and of architecture . By the stress which it laid on qualities that belong appropriately to literature , and find ...
Seite 60
... poetic interest of distant civilisa- tion to supplant the æsthetic interest of form . But the romantic impulse is not attracted to history alone . It is inspired by the distant and the past ; but it is inspired , also , by Nature . For ...
... poetic interest of distant civilisa- tion to supplant the æsthetic interest of form . But the romantic impulse is not attracted to history alone . It is inspired by the distant and the past ; but it is inspired , also , by Nature . For ...
Seite 101
... poetic . Nevertheless , the arguments which could dismiss the Romantic Fallacy will not suffice to meet the ethical case . The difference between the two seems fundamental . It is , as we saw , unreasonable to condemn an architectural ...
... poetic . Nevertheless , the arguments which could dismiss the Romantic Fallacy will not suffice to meet the ethical case . The difference between the two seems fundamental . It is , as we saw , unreasonable to condemn an architectural ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN