The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 29
Seite 50
... period of history on which its art is imaginatively expended . Under the influence , di- rectly or indirectly , of ... period of the past may recall , by association , the emotions with which that period is , at the time , poetically ...
... period of history on which its art is imaginatively expended . Under the influence , di- rectly or indirectly , of ... period of the past may recall , by association , the emotions with which that period is , at the time , poetically ...
Seite 51
... period which invented and is associated with it , and as suggesting , conventionally , the general imaginative state , the complex feelings of approval or disapproval which the idea of that period happens to evoke . Architecture , in ...
... period which invented and is associated with it , and as suggesting , conventionally , the general imaginative state , the complex feelings of approval or disapproval which the idea of that period happens to evoke . Architecture , in ...
Seite 131
... periods . There is the period of the Florentine Renaissance - the period of the quattrocento - tentative , experimental , hesitating , with a certain naïve quality that makes for charm but hardly for THE BIOLOGICAL FALLACY 131.
... periods . There is the period of the Florentine Renaissance - the period of the quattrocento - tentative , experimental , hesitating , with a certain naïve quality that makes for charm but hardly for THE BIOLOGICAL FALLACY 131.
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN