The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 50
... past of the race is coloured for us in attractive or repellent tones . Of some periods inevitably we think with delight ; of others with distaste . A new historical perspective , a new literary fashion , may at any time alter the ...
... past of the race is coloured for us in attractive or repellent tones . Of some periods inevitably we think with delight ; of others with distaste . A new historical perspective , a new literary fashion , may at any time alter the ...
Seite 60
... past ; but it is inspired , also , by Nature . For , obviously , those qualities which roman- ticism seeks , these Nature possesses in the highest degree . Nature is strange , fantastic , unexpected , terrible . Like the past , Nature ...
... past ; but it is inspired , also , by Nature . For , obviously , those qualities which roman- ticism seeks , these Nature possesses in the highest degree . Nature is strange , fantastic , unexpected , terrible . Like the past , Nature ...
Seite 129
... past . The release from this contracted curiosity was brought about by two main causes . It was brought about , æstheti- cally , by the Romantic Movement . It was brought about , intellectually , by the philosophy of evolution . The Ro ...
... past . The release from this contracted curiosity was brought about by two main causes . It was brought about , æstheti- cally , by the Romantic Movement . It was brought about , intellectually , by the philosophy of evolution . The Ro ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN