The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 71
... painting of Italian backgrounds almost from the first . Their presence gave a special popularity to such subjects as the Adoration of the Kings , depicted , as by convention they habitually were , with strange exotic retinues and every ...
... painting of Italian backgrounds almost from the first . Their presence gave a special popularity to such subjects as the Adoration of the Kings , depicted , as by convention they habitually were , with strange exotic retinues and every ...
Seite 87
... painter . Insecure structures , like fading pigments , are technical faults of art ; all other struc- tural ... painting or sculpture ; our specifically architectural pleasure will be in the functions of the structural elements ...
... painter . Insecure structures , like fading pigments , are technical faults of art ; all other struc- tural ... painting or sculpture ; our specifically architectural pleasure will be in the functions of the structural elements ...
Seite 137
... painting - except in so far as it was merely , yet superbly , decorative and in closer subservience to archi- tecture - did , on the contrary , show at this moment a real decline . For the genius of Michael Angelo , which in archi ...
... painting - except in so far as it was merely , yet superbly , decorative and in closer subservience to archi- tecture - did , on the contrary , show at this moment a real decline . For the genius of Michael Angelo , which in archi ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN