The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 34
Seite 73
... once more to the formal scheme of the architecture , where it fills an appointed place . Consequently , the ' acci- dental ' element , in the final result , is adequately submerged within the formal ; it gives , without insistence , the ...
... once more to the formal scheme of the architecture , where it fills an appointed place . Consequently , the ' acci- dental ' element , in the final result , is adequately submerged within the formal ; it gives , without insistence , the ...
Seite 100
... once this habit of criticism was established- when once it seemed more natural to attend to what ar- chitecture indirectly signified than to what it immediately presented - nothing was required but a slight alteration in the predominant ...
... once this habit of criticism was established- when once it seemed more natural to attend to what ar- chitecture indirectly signified than to what it immediately presented - nothing was required but a slight alteration in the predominant ...
Seite 103
... once granted the theological prejudice , æs- thetic dogmas are not likely to be lacking to prove that all the vices which were supposed to have accompanied the return of the Roman style in Europe must be inherent also in the Roman ...
... once granted the theological prejudice , æs- thetic dogmas are not likely to be lacking to prove that all the vices which were supposed to have accompanied the return of the Roman style in Europe must be inherent also in the Roman ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN