The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 142
... modern ' revivals , ' lacks the merit that belongs to the natural products of a time and place . It is too classical . On the other hand there is a school of critics who arrive at a diametrically contrary result . They do not complain ...
... modern ' revivals , ' lacks the merit that belongs to the natural products of a time and place . It is too classical . On the other hand there is a school of critics who arrive at a diametrically contrary result . They do not complain ...
Seite 153
... modern cult of ' purity ' and ' cor- rectness ' in style reposes on the same presumption . ' By a " mistake , " wrote Serlio , ' I mean to do contrary to the precepts of Vitruvius . ' This happens now to sound absurd enough . But it is ...
... modern cult of ' purity ' and ' cor- rectness ' in style reposes on the same presumption . ' By a " mistake , " wrote Serlio , ' I mean to do contrary to the precepts of Vitruvius . ' This happens now to sound absurd enough . But it is ...
Seite
... Modern Physical Science W. J. CASH The Mind of the South ERNST CASSIRER An Essay on Man The Myth of the State ANTON CHEKHOV Peasants and Other Stories COLETTE My Mother's House and The Vagabond JAMES B. CONANT Modern Science and Modern ...
... Modern Physical Science W. J. CASH The Mind of the South ERNST CASSIRER An Essay on Man The Myth of the State ANTON CHEKHOV Peasants and Other Stories COLETTE My Mother's House and The Vagabond JAMES B. CONANT Modern Science and Modern ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN