The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 79
... method which , in one partic- ular field , had proved so fruitful . Every aspect of things which eluded mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom of scientific ...
... method which , in one partic- ular field , had proved so fruitful . Every aspect of things which eluded mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom of scientific ...
Seite 118
... method , qua method , root and branch , and to insist that the baroque style was the first to grasp the psychological basis , and consequent liberties of architectural art . Yet such is the fact . it , nor does it matter to me if , 118.
... method , qua method , root and branch , and to insist that the baroque style was the first to grasp the psychological basis , and consequent liberties of architectural art . Yet such is the fact . it , nor does it matter to me if , 118.
Seite 123
... method has been theological or utilitarian or intuitive , it has come to the same end : it has raised a prej- udice and destroyed a taste without cause , logic , or ad- vantage . Are we then to say , with the critics on the other side ...
... method has been theological or utilitarian or intuitive , it has come to the same end : it has raised a prej- udice and destroyed a taste without cause , logic , or ad- vantage . Are we then to say , with the critics on the other side ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN