The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 56
... mere unassisted syntax is incapable . They enrich or sharpen our idea . The sounds delight us because , in them , the sense ... merely sensuous values of poetry are fully experienced when we read a poem in an unknown language ; and the ...
... mere unassisted syntax is incapable . They enrich or sharpen our idea . The sounds delight us because , in them , the sense ... merely sensuous values of poetry are fully experienced when we read a poem in an unknown language ; and the ...
Seite 131
... merely that facts are studied rather than values ; it is not merely that the least worthy facts are studied most , and that the stress falls rather on what is historially illuminating than on what is beautiful . The prej- udice is more ...
... merely that facts are studied rather than values ; it is not merely that the least worthy facts are studied most , and that the stress falls rather on what is historially illuminating than on what is beautiful . The prej- udice is more ...
Seite 179
... merely one of her myriad products , more conscious than the rest and more perplexed . A stranger on the in ... mere weight and mass and balance ; space , the mere void we recognise as nothing , became , for them , the spirit's language ...
... merely one of her myriad products , more conscious than the rest and more perplexed . A stranger on the in ... mere weight and mass and balance ; space , the mere void we recognise as nothing , became , for them , the spirit's language ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN