The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 79
... mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom of scientific method that , only in so far as phenomena could so be rendered , might any profitable results be ...
... mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom of scientific method that , only in so far as phenomena could so be rendered , might any profitable results be ...
Seite 95
... mechanical considerations , have given to so weak a case a perverse vitality . One central point should , however , be clear from this analysis . It may be restated in conclusion , for it is im- portant . Two senses of ' structure ...
... mechanical considerations , have given to so weak a case a perverse vitality . One central point should , however , be clear from this analysis . It may be restated in conclusion , for it is im- portant . Two senses of ' structure ...
Seite 99
... mechanical faith , but by a rapid liturgi- cal recitation of all the ethical formulæ . " The fine arts , ' he says ... mechanical case derives no authority or support from the ethical case ; the ethical case is not illustrated by the ...
... mechanical faith , but by a rapid liturgi- cal recitation of all the ethical formulæ . " The fine arts , ' he says ... mechanical case derives no authority or support from the ethical case ; the ethical case is not illustrated by the ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN