The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 34
... means unknown to the Gothic builders . But what in medieval construction had been an exceptional remedy , was accepted by the Ren- aissance builders as an obvious and legitimate resource . There was nothing novel in the expedient . Its ...
... means unknown to the Gothic builders . But what in medieval construction had been an exceptional remedy , was accepted by the Ren- aissance builders as an obvious and legitimate resource . There was nothing novel in the expedient . Its ...
Seite 70
... means anything , means a supreme control over all the elements of a design , with the right to arrange , to modify , to eliminate and to con- ventionalise . Here , instead , arrangement becomes ' dog- gerel ' and convention a blasphemy ...
... means anything , means a supreme control over all the elements of a design , with the right to arrange , to modify , to eliminate and to con- ventionalise . Here , instead , arrangement becomes ' dog- gerel ' and convention a blasphemy ...
Seite 90
... means . It no longer had to dance in fetters . It produced architecture which looked vigorous and stable , and it took adequate measures to see that it actually was so . Let us see what was the alternative . Greek architecture was ...
... means . It no longer had to dance in fetters . It produced architecture which looked vigorous and stable , and it took adequate measures to see that it actually was so . Let us see what was the alternative . Greek architecture was ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN