The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 16
... logical standard so far as architecture is related to science , and no further . But architecture requires ' commodity . ' It is not enough that it should possess its own internal coherence , its ab- stract logic of construction . It ...
... logical standard so far as architecture is related to science , and no further . But architecture requires ' commodity . ' It is not enough that it should possess its own internal coherence , its ab- stract logic of construction . It ...
Seite 19
... logic . But they fail to explain why the styles of architecture which they find it necessary to condemn have in fact ... logic , but delight . The theory of architecture , then , requires logic ; but it requires , not less , an ...
... logic . But they fail to explain why the styles of architecture which they find it necessary to condemn have in fact ... logic , but delight . The theory of architecture , then , requires logic ; but it requires , not less , an ...
Seite 145
... logic , consistency , or justifica- tion beyond that of giving pleasure . In this , clearly , it follows the natural ... logic of the lintel , Gothic the logic of the vault . The restrictions which these constructive principles imposed ...
... logic , consistency , or justifica- tion beyond that of giving pleasure . In this , clearly , it follows the natural ... logic of the lintel , Gothic the logic of the vault . The restrictions which these constructive principles imposed ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN