The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 100
... less obvious . None , we shall see reason to admit , could be less true . But one confusion begets another , and this axiom , too , now adds its darkness to the dim region where the controversies of architecture are sorrowfully con ...
... less obvious . None , we shall see reason to admit , could be less true . But one confusion begets another , and this axiom , too , now adds its darkness to the dim region where the controversies of architecture are sorrowfully con ...
Seite 111
... less liberty , neither more nor less joy in the work . The Renaissance , too , had its painting and its minor arts -its goldsmiths , carvers and embroiderers - destined in due course to enrich what had been built . Here , if we trust ...
... less liberty , neither more nor less joy in the work . The Renaissance , too , had its painting and its minor arts -its goldsmiths , carvers and embroiderers - destined in due course to enrich what had been built . Here , if we trust ...
Seite 117
... less huge , its vistas less prolonged , its richness less precious , than it pretends . The charge of false construction , as con- struction , has , it is true , been dealt with ; the argument from science fell , as we saw , to nothing ...
... less huge , its vistas less prolonged , its richness less precious , than it pretends . The charge of false construction , as con- struction , has , it is true , been dealt with ; the argument from science fell , as we saw , to nothing ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN