The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 124
... interest for their art , and were fond of arguing that it involved , and required , a veritable rule of life . But the exacter criticism of our own time , in natural disdain for the false feeling and false conclusions of the opposite ...
... interest for their art , and were fond of arguing that it involved , and required , a veritable rule of life . But the exacter criticism of our own time , in natural disdain for the false feeling and false conclusions of the opposite ...
Seite 130
... interest ; and interest takes by degrees the place of worth . Thus the ennobled cult be- comes for us the bloody sacrifice , civilised usage a savage rite , and the Doric temple justifies its claim on our atten- tion by reminding us ...
... interest ; and interest takes by degrees the place of worth . Thus the ennobled cult be- comes for us the bloody sacrifice , civilised usage a savage rite , and the Doric temple justifies its claim on our atten- tion by reminding us ...
Seite 131
... interest is frustrated : therefore æsthetic interest is void . This is the evolutionary fallacy in taste . At its hands , as at the hands of the Romantic Fallacy , Renaissance architecture suffers by neglect and it suffers by ...
... interest is frustrated : therefore æsthetic interest is void . This is the evolutionary fallacy in taste . At its hands , as at the hands of the Romantic Fallacy , Renaissance architecture suffers by neglect and it suffers by ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN