The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 19
Seite 93
... intellectually discover about the complex , mechan- ical conditions , which in a given situation may actually con ... intellectual calculus of its function in the building , but it is quite impossible to translate it into any terms of ...
... intellectually discover about the complex , mechan- ical conditions , which in a given situation may actually con ... intellectual calculus of its function in the building , but it is quite impossible to translate it into any terms of ...
Seite 153
... intellectual . It seeks to define been appeased by a closer acquaintance with the Porta de ' Borsari at Verona , where Baccio has a classic precedent . its subject matter in purely intellectual terms . But taste- THE ACADEMIC TRADITION 153.
... intellectual . It seeks to define been appeased by a closer acquaintance with the Porta de ' Borsari at Verona , where Baccio has a classic precedent . its subject matter in purely intellectual terms . But taste- THE ACADEMIC TRADITION 153.
Seite 154
... intellectual . The effort of criticism to ' understand ' architecture has done no more than add its own assertions ... intellectual zeal . It is the most self - conscious at- tempt that has been made to realise beauty as a form of ...
... intellectual . The effort of criticism to ' understand ' architecture has done no more than add its own assertions ... intellectual zeal . It is the most self - conscious at- tempt that has been made to realise beauty as a form of ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN