The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 17
... instinct . Sometimes it will bor- row a suggestion from the laws of firmness or commodity ; sometimes it will run ... instincts which , in the other arts , exert an ob- vious and unhampered activity , have succeeded in realising ...
... instinct . Sometimes it will bor- row a suggestion from the laws of firmness or commodity ; sometimes it will run ... instincts which , in the other arts , exert an ob- vious and unhampered activity , have succeeded in realising ...
Seite 67
... instinct , as though Nature's ' book ' had expurgated man , and the merit of creation ceased at the fifth day ... instincts of man , did far more to enforce the prejudice against the ' foul torrent of the Renaissance ' than he effected ...
... instinct , as though Nature's ' book ' had expurgated man , and the merit of creation ceased at the fifth day ... instincts of man , did far more to enforce the prejudice against the ' foul torrent of the Renaissance ' than he effected ...
Seite 185
... instinct lies , and in what it consists ; and this I have attempted . But to seek to devise new codes for the operation of that instinct would be once more to intellectualise a faculty which is not in my opinion primarily an ...
... instinct lies , and in what it consists ; and this I have attempted . But to seek to devise new codes for the operation of that instinct would be once more to intellectualise a faculty which is not in my opinion primarily an ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN