The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 29
... influence of patronage on art is easily mis - stated . Art may be brought to the service of the state and its rulers ; but the most that rulers can do towards determining the essence of an art is to impose upon it a distinctively ...
... influence of patronage on art is easily mis - stated . Art may be brought to the service of the state and its rulers ; but the most that rulers can do towards determining the essence of an art is to impose upon it a distinctively ...
Seite 146
... influence of literature depends on its prestige and its accessibility . The sparse and jealously guarded manuscripts of earlier days gave literature an almost magical prestige , but af- forded no accessibility ; the cheap diffusion of ...
... influence of literature depends on its prestige and its accessibility . The sparse and jealously guarded manuscripts of earlier days gave literature an almost magical prestige , but af- forded no accessibility ; the cheap diffusion of ...
Seite 147
... influence reached England by 1563 in the brief essay of John Shute . Through the pages of Serlio , Vitruvius subjugated France , till then abandoned to the trifling classicism of François I .; through those of Palladio he became supreme ...
... influence reached England by 1563 in the brief essay of John Shute . Through the pages of Serlio , Vitruvius subjugated France , till then abandoned to the trifling classicism of François I .; through those of Palladio he became supreme ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN