The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 50
... ideas . But these ideas really belong to the literary imagination whence they sprang , and one result of applying them to architecture , where they are not inherent , is that all permanence and objectivity of judgment is lost . Thus ...
... ideas . But these ideas really belong to the literary imagination whence they sprang , and one result of applying them to architecture , where they are not inherent , is that all permanence and objectivity of judgment is lost . Thus ...
Seite 154
... ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural beauty to the code of the Five Orders - or to any other code - is the most complete example of this ex ...
... ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural beauty to the code of the Five Orders - or to any other code - is the most complete example of this ex ...
Seite 158
... idea of instability , the idea of collapse , the idea of restriction , and so forth . But these ideas are not in themselves disagreeable . We read the definition of such words in a dictionary with equanim- ity , yet the definition , if ...
... idea of instability , the idea of collapse , the idea of restriction , and so forth . But these ideas are not in themselves disagreeable . We read the definition of such words in a dictionary with equanim- ity , yet the definition , if ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN