The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 62
... ideal , realised too seldom . So far as this architecture takes any inspiration from the past , it looks to the old farm - buildings long lived in , patched , adapted , overgrown : buildings , so unconscious in their intent , so ...
... ideal , realised too seldom . So far as this architecture takes any inspiration from the past , it looks to the old farm - buildings long lived in , patched , adapted , overgrown : buildings , so unconscious in their intent , so ...
Seite 98
... ideal of architecture : an ideal in which a most scholarly study of Gothic has no doubt con- The ethical critic of architecture has three different forms of 98.
... ideal of architecture : an ideal in which a most scholarly study of Gothic has no doubt con- The ethical critic of architecture has three different forms of 98.
Seite 144
... ideal is pedantry's antithesis . Humanism is the effort of men to think , to feel , and to act for themselves , and to abide by the logic of results . This attitude of spirit is common to all the varied energies of Renaissance life ...
... ideal is pedantry's antithesis . Humanism is the effort of men to think , to feel , and to act for themselves , and to abide by the logic of results . This attitude of spirit is common to all the varied energies of Renaissance life ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN