The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 123
... hand there is a tradition in which the errors examined in this chapter find their soil ; a tradition of criticism constantly unjust , sometimes unctuous , often ignorant ; a tradition , nevertheless , of great literary power . Into this ...
... hand there is a tradition in which the errors examined in this chapter find their soil ; a tradition of criticism constantly unjust , sometimes unctuous , often ignorant ; a tradition , nevertheless , of great literary power . Into this ...
Seite 144
... hand in hand ; yet humanism in its ideal is pedantry's antithesis . Humanism is the effort of men to think , to feel , and to act for themselves , and to abide by the logic of results . This attitude of spirit is common to all the ...
... hand in hand ; yet humanism in its ideal is pedantry's antithesis . Humanism is the effort of men to think , to feel , and to act for themselves , and to abide by the logic of results . This attitude of spirit is common to all the ...
Seite 147
... hand , the author's first - hand experience is no less obvious , especially in his detailed directions for military architecture . The comprehensive scope of the book answers exactly to the undiscriminating curiosity , at once practical ...
... hand , the author's first - hand experience is no less obvious , especially in his detailed directions for military architecture . The comprehensive scope of the book answers exactly to the undiscriminating curiosity , at once practical ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN