The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 21
Seite 59
... ground before they have fairly considered its claims on the primary ground , this , we may fairly say , is unsound and misleading criticism , criticism tending to obscure real values and di- minish possible enjoyments , criticism ...
... ground before they have fairly considered its claims on the primary ground , this , we may fairly say , is unsound and misleading criticism , criticism tending to obscure real values and di- minish possible enjoyments , criticism ...
Seite 66
... ground , if we do not recognise in it , also , an association of architecture with ethical ideas . The poetry of Nature furnished the imagery of the gospel of freedom . The Romantic Movement , with its theory of Natural Rights , gave to ...
... ground , if we do not recognise in it , also , an association of architecture with ethical ideas . The poetry of Nature furnished the imagery of the gospel of freedom . The Romantic Movement , with its theory of Natural Rights , gave to ...
Seite 185
... ground thus cleared , this follows from the very nature of my contention . The most one can here do is to clear the ground : and then to indicate where the creative instinct lies , and in what it consists ; and this I have attempted ...
... ground thus cleared , this follows from the very nature of my contention . The most one can here do is to clear the ground : and then to indicate where the creative instinct lies , and in what it consists ; and this I have attempted ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN