The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 87
... functional elements ; they may be enriched by colour or carving ; but our pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architectural pleasure will be in the functions of the ...
... functional elements ; they may be enriched by colour or carving ; but our pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architectural pleasure will be in the functions of the ...
Seite 88
... functions are , nor their fitness for performing them . Structurally perfect , they are still structurally ... functional , it is not vivid ; the other be- cause , though vivid , it is not functional . Such , or somewhat such , would be ...
... functions are , nor their fitness for performing them . Structurally perfect , they are still structurally ... functional , it is not vivid ; the other be- cause , though vivid , it is not functional . Such , or somewhat such , would be ...
Seite 193
... function But the vividness must be a matter of appearance and the function a matter of fact , while the converse is not necessary Renaissance architecture takes advantage of this distinc- tion , it appeals from logic to psychology 79 ...
... function But the vividness must be a matter of appearance and the function a matter of fact , while the converse is not necessary Renaissance architecture takes advantage of this distinc- tion , it appeals from logic to psychology 79 ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN