The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 21
... follows is not linked to what went before by common reference to a great tradition , by a general participation in a ... follow this tradition . The architecture of France in the seventeenth and eighteenth centuries and , in a lesser ...
... follows is not linked to what went before by common reference to a great tradition , by a general participation in a ... follow this tradition . The architecture of France in the seventeenth and eighteenth centuries and , in a lesser ...
Seite 61
... follow . Here , as the last chapter showed , a romantic sense of history , treating styles as symbols , could look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of ...
... follow . Here , as the last chapter showed , a romantic sense of history , treating styles as symbols , could look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of ...
Seite 120
... follow on that account that aesthetically it is always equally to be admitted . If ' deceit ' is carried beyond a cer- tain point , we cease to get architecture and find stage dec- oration . There is nothing wrong about stage decoration ...
... follow on that account that aesthetically it is always equally to be admitted . If ' deceit ' is carried beyond a cer- tain point , we cease to get architecture and find stage dec- oration . There is nothing wrong about stage decoration ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN